Anna Caterina Antonacci
Anna Caterina, a soprano who is considered one of most outstanding of her generation, won the prestigious Voci Verdiane Callas Competition and Pavarotti Awards. French Republic awarded her with the most prestigious national award, 'Chevalier de l'Ordre National of the Legion d'Honneur'. Era la Notte, her debut single for Naive was an enormous success. In addition to this she released her own album, L'Alba separa the ombra's luce (with Donald Sulzen), featuring Tosti Hahn and Cilea's tracks to Wigmore Live. Anna Caterina received the Accademici Effettivi award in the year 2020 from the distinguished panellists of the General Assembly of the Academicians of Santa Cecilia. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites so far in the 22/23 seasons at Teatro dell'Opera di Roma, in a production directed by Emma Dante. Anna Caterina Antonacci will perform the role in the Bayerische Staatsoper's season finale. Anna Caterina Antonacci hails from Italy, and she is well-known due to the parts she's played in both bel canto as well as baroque repertoire. She performed as mezzo-soprano throughout her career especially in the Rossini canon. Anna Caterina Antonacci stands at an average height of 62 inches. Anna Caterina Antonacci will have her Height, Weight and Body Dimensions updated soon. She's currently in a relationship. She is currently dating. There is not much we have to know about her past marriages and prior relationships. Our Database confirms that she does not have any children. The value of her net worth increased substantially between 2022-2023. Anna Caterina Antonacci is now 62. What does she make? Anna Caterina Antonacci makes most of her income by performing. Anna Caterina Antonacci was born on the 5th of April in 1961. She is an Italian-born soprano. She has performed roles that are part of the Baroque repertoire and also belcanto. She was mezzo-soprano for several years particularly singing the Rossini canon. Antonacci was a Bologna-trained vocalist that made her Arezzo debut as Rosina, in 1986. It was the New York Times profiled her extensively in March 2012.
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